Research Methods

The project I have proposed to work on is centred around the idea of impermanence and how this is expressed in the context of the urban environment.  I intend to explore the relationships between people, place and psyche through the concept of nonplace, impermanence and the architectural language of change.  I will mostly be exploring this within my local environment but also within any other cities or suburban landscapes that I may have the opportunity to explore.  The project will progress in stages across the different course modules and I am open to the idea that it could even change as I progress.

As part of my project I will be referring to a number of different sources to provide the contextual research that will underpin my work.  Some of this will be achieved through reading a variety of different books, articles and periodicals, as well as doing online research around the genre of urban photography, the techniques used, projects around similar themes,  and the work of photographers that inspire me or from whom I can learn. 

Robert Frank is one of a number of photographers whose work inspires me and is relevant to my current project.  He was an immigrant to America and set out on a two-year road trip to photograph the real America from the viewpoint of an outsider.  This resulted in his 1958 book called The Americans.  For Robert Frank, his work itself was the research, depicting a raw and honest documentary of America at that time. 


Robert Frank, U.S. 285, New Mexico, 1955. Photograph © Robert Frank, from The Americans

Lewis Bush is another photographer whose work is of great interest to me as he explores issues of gentrification, capitalism, urban change and the political context of urban landscapes.  His book, Metropole, is about the changing face of London in the context of global capitalism and how this drives modern property developments, gentrification and displacement of people.  Lewis Bush does a vast amount of research during his various projects and brings together knowledge and research in the fields of economics, politics, journalism, technology, art and history. 

Lewis Bush, Untitled, 2015 © Lewis Bush, from Metropole

I will be referring to the work of French anthropologist, Marc Augé, around the concept of non-place and will do further research on any other artists working with this concept, as well as any relevant sources within the fields of sociology and anthropology. The concept of psychogeography is another area for potential research that may bring a different aspect to my project.

Lastly, I plan to incorporate literature into my background research, and hope to find time to read some of the works by authors or poets, such as William Blake, who write about city life and the contrasts, paradoxes and changes inherent to it, as well as referring to other written or visual works that explore our relationship with the landscapes we explore, inhabit or interact with in some way.   

Another important aspect to my research will be the practical context of physically exploring the urban landscape to gain knowledge of it, as well as attempting to engage with people in these landscapes and communities.  This supports a practice-based approach to my research, as well as supporting a constructivist research methodology. 

These are perhaps ambitious plans for my research as time is always a constraint, however, I don’t see the research as being limited to only this semester of the course, but rather an ongoing process that will continue to inform, develop and evolve my project.

Thinking Away From Photography

The coursework this week set a task of finding a piece of work that was not a photograph but which linked in some way to our own practice or research interests. I actually found this to be quite a difficult task, not because of thinking away from photography, but rather because of the amount it revealed.  I realised that there are a number of influences in my photography and in my life, some of which go quite far back.  These influences range across music, films, art, documentaries and many different genres but through exploring these in the context of this discussion, I realised there is a common thread. 

From Blake to Banksy….poetry to graffiti….what is the connection?  For me it began a long time ago with William Blake’s ‘Songs of Innocence and Experience’, a collection of poems that show two very different states of the human experience and reflect upon the inequality inherent in the industrial society of that time.  Banksy on the other hand, is one of the most controversial and well known street artists of our times. His work is often political and satirical, critical of authority, inequality and the human suffering that results. This is the theme that I have found in common across the many different artists or genres that influence my own practice or research interests.

Looking at my current work, street art is one of my research projects and one of my favourite street artists is British street artist, Stik. His work has definitely inspired me to photograph the streets, the street art that appears there, the people that live in these areas, the urban environment and the relationship people have with it, as well as to capture the character of places before they are gone.  In a way I feel that photography is a means of documenting the rapid changes happening in our cities and communities, but also preserving something of them before they are gone. 

Large scale mural by Stik - Nelson Street, Bristol  ©Juanita McKenzie
Large scale mural by Stik – Nelson Street, Bristol
©Juanita McKenzie

Stik uses simple stick figures to convey meaning through simplicity – the subtle bend in an arm, or position of the dot for an eye, can convey so much expression and emotion.  He makes use of colour, line and environment to create artworks that represent the community and reflect the vulnerability of the human being while also giving hope.  His artwork has not only inspired me but has also been a source of tremendous comfort and joy to me at various times in the past few years. (This is discussed in my oral presentation which can be found here).

I feel a connection to Stik’s artwork because in my own practice, I also try to capture similar themes in my photography – the vulnerability of people in the harsh environment of the city, the inequality and contrasts that are so much a part of urban life (really a microcosm of the global inequality), but also the tremendous courage, community and spirit that arises from this. 

I hope to capture the vulnerability but also the fragile beauty in the cities, the dialogue between the opposites, the dance between old and new, the tension and friction, and the constant process of metamorphosis. 

The clip below is by Stik and discusses some aspects of his work and community: 

Visit Stik’s website for further information about his work: http://stik.org/