Journal Reflection -Sustainable Prospects Week 7

After the second webinar with our module leader, Anna, in which we discussed aspects of the various photographic markets, it is becoming very clear that this is tough industry to succeed in, despite the fact that there is a constant demand for imagery. I find myself feeling daunted at times, wondering if it is possible to break into the photographic industry at this stage in my life. At other times, I find myself comparing my work to that of others and wondering where exactly it fits in, as I’m not quite sure who would buy it or where my market would really be. These are the days where I suffer from ‘low creative worth’ and wonder what I was thinking taking on this course.

My research project is taking up all my spare time and I am spending most of the weekend walking around the city and in the underpasses, a far less than glamorous role and not quite what people think photography is like. I have been tired, cold, rained on and stared at by strangers who can’t understand what I am doing hanging around a concrete underpass. I am getting used to being uncomfortable now and no longer notice the stares but I do feel a little bit like I’m losing heart in my project. This might be since Ursa the Bear was removed from the Bearpit a few weeks ago, as I feel like the heart of the city went with her. Even though I predicted it would happen, I never anticipated that it would hit me quite so hard or that I would feel a little lost without Ursa. I wonder if others in the city feel that way too.

Where Ursa Once Stood ©Juanita McKenzie
St James Barton Roundabout, Bristol
Left: September 2019 Right: October 2019

F22 Workshop

This week I attended the F22 – Survival Skills for Freelance Creatives Workshop in London as I was fortunate enough to be there at the time. I had seen the workshop advertised by the AOP and thought it would be invaluable for me as somebody who is planning to enter this market, and also felt it matched very well with this term’s coursework. The workshop was presented by Sheryl Garratt, previously the editor of The Face and The Observer magazine, and now a life coach working with freelancers and creative people.

In her workshop, Sheryl discussed the changing photographic market and the difficulties facing freelancers in the industry. She spoke of the constant pace of change and the lack of security in an industry that is in flux, as well as the impact of social media and the way in which ‘content creation’ threatens the photographic industry. This was confirmed by other people attending the workshop who have personally experienced this impact on their photographic careers.

One lady I spoke to was actually attending the workshop because she had previously worked as a freelance photojournalist but was no longer able to earn a living from this work due to the rise in citizen journalism and the use of image submissions from the public. She mentioned that both full-time and freelance jobs in this industry had been significantly reduced across the last decade or more. She was attending the workshop as she is hoping to take a new direction and break into the commercial photography market. It was very informative to hear from other photographers and people in the industry just how they were approaching their freelance work and where they felt the most impact.

Sheryl presented her workshop around ten core foundations that would assist in being successful in growing a business and doing the creative work that we love to do. Based on these principles I identified the following important steps I can take in developing my own freelance path:

  1. Get very clear on my creative vision, my reasons for doing what I do and what I hope to achieve.
  2. Create some great short descriptions of what I do and why I do it. Sheryl advises that we need to find ways of talking about what we do that makes it sound exciting.
  3. Marketing must become part of my daily routine as this is how I will get work.
  4. Do less and focus more on what matters. I would do well to simplify, streamline and focus my work in order to be more productive.
  5. I need to build up an effective working routine that suits my needs and this will increase my productivity.
  6. I should start a savings fund as this is what will give me the creative freedom to explore personal projects and have greater autonomy.
  7. It is essential for me to create a portfolio career, as multiple income streams are the only way to succeed as a freelancer nowadays. I will do some thinking about ways to do this and can also refer to our current coursework for ideas about other careers in the industry.
  8. Networking is extremely important, as is building peer support.
  9. Always invest in what I need to support my continued personal and business growth.
  10. Be realistic and manage my time and energy as this is my most important resource.

The workshop was a great experience as the content was excellent and I learned a number of important tips about how to find clients, how to manage my business and how to maintain a healthy balance between earning a living and doing what I love. It was also invaluable to meet other professionals in the industry, both to learn from them and to network among peers. For further information about Sheryl’s informative and insightful workshops and coaching, please visit her website.

Photography as a profession ©Juanita McKenzie

Contextual Research – Viviane Sassen

In the previous webinars discussing photography markets, I came across the work of Viviane Sassen. She is a Dutch photographer who is extremely successful in both fine art and fashion photography. Although her genre of photography seems completely unrelated to my own practice in urban photography, there was something about her work that really stood out to me and made an impact.

I was particularly drawn to her 2014 series, Umbra, in which she makes strong use of shadow, contrasts, colour, shadow and lines. When I came across the video below and heard Viviane Sassen describe how and where she discovered her photographic voice, I began to understand that I had been unconsciously drawn to the light and colours familiar to a landscape I had known most of my live, the African landscape, having grown up in South Africa. Viviane Sassen describes that it was only upon spending time in Africa that she connected to her creative voice and it is there that she learned about working with light and shadow, bright colours and sharp contrasts.

Her sensitivity to her subjects while in Africa is so clearly expressed and she acknowledges an awareness of the imbalance in power between her as the photographer and her subjects. Sassen approaches her subjects by gaining their understanding of her intention and that the photography is about concepts that are far larger and more abstract than themselves. She approached these images from a symbolic perspective and this resulted in a powerful series of portraits that made a tremendous impact on me because she has succeeded in capturing the essence of her subjects, somehow merging the present moment, with the cultural and historic inheritance of people and place.

“One of the best ways to appreciate Sassen’s work is through her photobooks. Flamboya merges documentary and fine art to find a new way of looking at Africa, one that is neither exoticising nor straightforward reportage. Parasomnia is a more dreamlike exploration of Africa that draws on those childhood memories and vivid dreams.” (O’Hagan, 2013) Sassen herself encourages photographers and artists to experiment and push the boundaries on creativity, working intuitively to create the magic . I feel truly inspired by her approach to photography and will refer to her work often as I experiment with the use of light, shadow, colour, contrast and line in my own work.

Viviane Sassen talks about her photographic process and how she discovered her creative voice.

Reference: O’Hagan, S. (2013). Fashion photographer Viviane Sassen: a different take. [online] the Guardian. Available at: https://www.theguardian.com/fashion/2013/oct/12/fashion-photographer-viviane-sassen [Accessed 8 Dec. 2019].

Journal Reflection -Sustainable Prospects Week 6

This week we were given opportunity to prepare oral presentations ahead of our assignments at the end of the term and to practice these with our peers. Once again, I am unable to participate because my current work demands have been so high. There have been a number of events this term beyond my control that have thrown me into disarray, but work has been exceptionally demanding recently. I am beginning to worry that I am falling behind on coursework and not gaining the full benefit of the weekly discussions and peer work.

At the moment, I am using every available moment of my free time to work on my studies but there is simply not enough time in a day. I have had to prioritise certain parts of the course that I feel are most important: the live brief, as this is part of work within a group; getting out and taking the photographs that I need for my project this term; attending my individual tutorials and also webinars where possible, watching recorded materials as I can, and doing some of the contextual research and reading in the time that is left.

Feeling the pressure ©Juanita McKenzie

Submissions – Snapshot

In October, I entered the RPS Monthly Photo Competition. The theme was Snapshot and I interpreted this as being an image that would create a sense of immediacy and closeness that would allow the viewer to feel present when viewing the image.

I selected an image taken during the summer when I got lost walking in London and which unexpectedly led me to discover beautiful sunflowers in the middle of the city. This is a flower that brings me fond memories of my childhood, growing up near Johannesburg, in South Africa where it was a common sight to see them growing in the fields.

The image is taken looking up at the tall sunflowers to emphasise their height and replicate my memories and perspectives of seeing these flowers as a child, but in contrast they are set against the backdrop of the city environments that are my adult world. I always enjoy photographing interesting juxtapositions in the world around me.

The competition closed at the end of October and I was delighted to discover I had been shortlisted. The shortlisted images can be viewed here.

London Sunflower © Juanita McKenzie